Weight, portability, technology and innovation are the most common reasons for people to choose a mirrorless over a traditional DSLR camera. Photographing landscapes with tele zooms is a challenge but if executed correctly, you can get some great results. Photo by: 'Albert Dros'. In the end, it’s about the photos you can make with this tool. It is very sharp and if you love the 70-200 range, then this is the top choice to get. 35mm equivalent: 15-27mm. This lens is also known for being one of the sharpest zoom lenses on the market, so you’ll be sure your shots are of great sharpness on any Sony E-mount camera, especially the high megapixel ones like the A7RII, III and IV. Optional: 15mm f/2 Laowa for Milky Way or Aurora. Dust your camera off and learn photography in your dream destination! A good telezoom is absolutely necessary for some great landscape photographs. 35mm equivalent: 50mm. Both shot at 10mm, this focal length allows you to capture a lot of space and can give you amazing perspectives. If I would have to recommend a telezoom lens, then it would be this one. It's a compromise but not a bad choice at all. The brand new Sony 14-24 f/2.8 Sigma lens that was designed for the E-mount system is an interesting option. Zoom lenses are very comfortable for landscape photography because you can quickly make adjustments to your, If you can find one for a good price, go for it. This lens is THE choice if you love to shoot extremely wide. The Sigma 19 mm f/2.8 EX DN E is a third party, wide angle prime for APS-C E mount cameras. Or if you want to go the more classic route, get the Sony 16-35GM, 24-70GM, 70-200GM. Both shot at 10mm, this focal length allows you to capture a lot of space and can give you amazing perspectives. Zoom lenses are very comfortable for landscape photography because you can quickly make adjustments to your composition by zooming. This lens is a good allrounder zoom but not one of the sharpest. To me, the mid range zoom lens is less important. The most budget option is the Samyang 14mm f/2.8, the ‘old’ manual version (there is also a new Sony E-mount version with autofocus, but it’s not that sharp at f/2.8). Trackbacks are closed, but you can post a comment. The bokeh of this lens is smooth. If you like the 16-35mm range, then I would recommend getting the 16-35mm f/2.8 GM if you can afford it. What we don’t: Wide… Tamron makes an excellent set of compact, lightweight f/2.8 zooms and primes, while Samyang’s small primes represent exceptional value for money. The image quality of this lens is good, but not amazing. There are more than 50 prime lenses for E-mount full frame. If you are ok with manual focusing lenses and are looking for something optically very sharp and at a reasonable budget then the Samyang 85mm f/1.4 is an excellent choice. When photographing into the sun, this lens has a very distinctive. But why? Creative use of the 24mm f/1.4 on the Sony A7RIII. Bookmark the permalink. The sharpness along with its good build quality is still very appealing and the bang for buck is great on this one. It’s relatively sharp and is also quite light compared to the G-master. When shooting on an APS-C camera the lens is g… Another nice property of this lens is the ‘sunstar’ that it produces. You will have to buy a separate holder and use 150mm+ filters. With its versatile range and fast aperture, you’ll be able to handle almost every wide angle landscape thrown at you. Photo by: 'Albert Dros'. If I would have to recommend two lenses, I would suggest that you get a wide angle zoom and a telezoom lens. People were very sceptical, mainly because there were almost no lenses available for the system. This artist, educator, writer and speaker is not only kn... Iceland has one of the greatest puffin colonies in the world, and it is estimated that between 8 and 10 million birds inhabit the island. Check out our photography workshops and tours that will have you developing your skills in-field in no time! This lens lacks some range on the wider end but because of this, it is much lighter and smaller than the G-Master. Various third-party lens manufacturers have released the following lenses for Sony E-mount cameras since 2010. Photo by: 'Albert Dros'. This lens is manual and with its good sunstar, it's a nice option if you’re interested in shooting even wider than 12mm. I hope that you have enjoyed this article and that it helps you to make your choice regarding lenses for the Sony E-mount system! You can find more of his work on his website or by following him on Facebook and Instagram. They’re used for many aspects. It’s a prime but it’s an extremely good prime! You may also be able to pick this up in the ‘used’ category. Photo by: 'Albert Dros'. Photo by: 'Albert Dros'. This lens is priced at only 800 Euro, so it’s a great choice if you’re on a budget. 16mm on the Sony A7RII. Obviously, the GM lenses beat this lens in sharpness, but if you want to shoot super wide then this lens is a great choice. The lens is compatible with both the full-frame and the APS-C formats and therefore gives a tighter view of a scene. These lenses are manual-focus only. The image quality of the 100-400GM along with the weight is acceptable for many people to carry along during hikes. These are basically the same as their Canon and Nikon equivalents, but have in effect had an extension tube built in to deal with the different back-focus distance. Shooting wider than 16mm can give you some beautiful perspectives. It took quite a few years for third-parties to get truly serious about the Sony E-mount, but now, Tamron in particular has led the charge with some amazing E-mount (FE full-frame) lenses that offer an incredible value versus the name-brand competition. What is an E-Mount lens? Manual focus, electronic aperture reporting, "30mm F1.4 DC DN | Contemporary | Products | Lenses | Sigma Global Vision", "www.sigma-global.com/en/lenses/cas/product/contemporary/c_30_14/features.html#features05", https://www.sigma-global.com/en/lenses/cas/product/contemporary/c_56_14/, https://web.archive.org/web/20200420213022/http://www.hkyongnuo.com/e-detaily.php?ID=491, "Zeiss Touit 2.8/12 | Autofocus APS-C lens for Sony and Fujifilm", "Zeiss Touit 1.8/32 | Autofocus APS-C lens for Sony and Fujifilm", "Zeiss Touit 2.8/50M | Autofocus APS-C lens for Sony and Fujifilm", "Samyang AF 14mm F2.8 for Sony E-mount set to ship in September: Digital Photography Review", "Samyang AF 35mm F2.8 FE: Digital Photography Review", "Samyang AF 50mm F1.4 FE: Digital Photography Review", https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=418, https://tokinalens.com/product/firin_20mm_f2_fe_af/, https://tokinalens.com/product/firin_100mm_f2_8_fe_macro/, "Zeiss Batis 2.8/18 | Fullframe autofocus lens for Sony α series", "Zeiss Batis 2/25 | Fullframe autofocus lens for Sony α series", "Zeiss Batis 1.8/85 | Fullframe autofocus lens for Sony α series", "camera-lenses/en_de/camera_lenses/batis/batis-28135", "camera-lenses/en_de/camera_lenses/batis/batis-240", https://m.dpreview.com/news/9018274882/viltrox-announces-85mm-f1-8-autofocus-lens-for-sony-e-mount-cameras, https://fstoppers.com/gear/g-master-alternative-tamron-introduces-17-28mm-f28-di-iii-rxd-sony-fe-341810, https://www.bhphotovideo.com/c/product/1461529-REG/tamron_a046_17_28mm_f_2_8_di_iii.html/amp/, https://www.cinema5d.com/tamron-announces-lenses-35mm-35150mm-1728mm/, https://www.tamron.jp/en/product/lenses/a071.html, "Tamron announces the development of compact and lightweight high-speed telephoto zoom lens for Sony E-mount full-frame mirrorless cameras | News | Tamron Co., Ltd", "Press Release | The launch of 70-300mm F/4.5-6.3 Di III RXD (Model A047) | E-mount | Telephoto Zoom Lens - TAMRON", https://www.sigma-global.com/en/lenses/cas/product/art/a019_24_70_28/specifications/, http://www.mkgrip.com/goods/show-262.html, https://www.voigtlaender.de/lenses/e-mount/21-mm-11-4-nokton-aspherical/?lang=en, https://www.voigtlaender.de/lenses/e-mount/21-mm-135-color-skopar-aspherical/?lang=en, "Cosina Announces Development of three new E-mount lenses", https://voigtlaender.com/40-mm--f-2%2c8-heliar.html, https://voigtlaender.com/65-mm--f2-macro-apo-lanthar.html, "Voigtlander releases details and price of its 110mm F2.5 Macro APO-Lanthar for Sony E-Mount", "Zeiss Loxia 2.8/21 | Fullframe manual focus lens for Sony α series", "Loxia 2/35 | Fullframe manual focus lens for Sony α series", "Zeiss Loxia 2/50 | Fullframe manual focus lens for Sony α series", "Zeiss Loxia 2.4/85 | Fullframe manual focus lens for Sony α series", https://shop.holgadirect.com/collections/digital-holga-lenses-kits-cameras/products/holga-pinhole-lens-for-sony-nex-cameras-hpl-sn, https://shop.holgadirect.com/collections/digital-holga-lenses-kits-cameras/products/holga-lens-for-sony-nex-series-cameras-hlw-sn, https://shop.holgadirect.com/collections/digital-holga-lenses-kits-cameras/products/holga-special-lens-filter-sony-nex-cameras-hlt-sn, https://lensbaby.com/product/circular-fisheye/, https://www.sainsonic.com/electronics-computers/kamlan-8mm-f-3-0-wide-angle-manual-focus-fisheye-lens-for-sony-e-mount-digital-mirrorless-camera.html, https://www.kamlan.shop/products/21mm-f-1-8-mf, https://www.sainsonic.com/products/kamlan-28mm-f-1-4-standard-prime-lens, https://www.sainsonic.com/electronics-computers/kamlan-50mm-f1-1-aps-c-large-aperture-manual-focus-lens-standard-prime-lens-for-sony-e-mount-mirrorless-camera.html, https://m.dpreview.com/news/3243420011/sainsonic-launches-50mm-f1-1-lens-for-aps-c-cameras, https://www.kamlan.shop/products/50mm-f-1-1-mk2, http://www.mkgrip.com/goods/show-257.html, http://www.mkgrip.com/goods/show-203.html, http://www.mkgrip.com/goods/show-162.html, http://www.mkgrip.com/goods/show-176.html, https://www.ephotozine.com/article/meike-25mm-f-0-95-lens-review-29545, http://www.mkgrip.com/goods/show-245.html, http://www.mkgrip.com/goods/show-242.html, http://www.mkgrip.com/goods/show-186.html, http://www.mkgrip.com/goods/show-260.html, http://www.mkgrip.com/goods/show-181.html, http://www.mkgrip.com/goods/show-191.html, "Neewer - Neewer NW-E-28-2.8(28mm f/2.8)Fixed Lens for Sony", "Neewer - Neewer NW-E-50-2.0(50mm f/2.0)Fixed Lens for Sony", https://www.pergear.com/collections/lens/products/pergear-25mm-f1-8-manual-focus-prime-fixed-lens?variant=31263903416418, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=279, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=254, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=262, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=283, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=271, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=291, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=238, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=295, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=339, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=335, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=343, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=351, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=347, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=367, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=186, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=363, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=393, https://www.samyanglens.com/en/m/product/product-view.php?seq=355, "Mitakon Speedmaster 35mm f/0.95 ver II (BLACK) - Mitakon - ZY Optics (Shenyang Zhongyi Optics )", https://cf.sirui.com/Anamorphic-Lens.html, https://www.slrmagic.com/product-page/12mm-f2-8, http://www.slrmagic.info/product/HyperPrime+CINE+II+3595E, http://www.slrmagic.info/product/CINE+3514E, https://www.veydra.com/product/veydra-mirrorless-mini-prime-3-lens-sony-e-mount-set-with-case-25-35-50mm-t2-2/, http://www.yasuhara.co.jp/momo/index-e.html, https://www.sainsonic.com/collections/manual-lens/products/zonlai-22mm-f1-8-large-aperture-manual-focus-lens-prime-lens?variant=12232026357844, http://m.7artisans.com/en/h-pd-27-306.html, http://m.7artisans.com/en/h-pd-22-306.html, http://m.7artisans.com/en/h-pd-23-306.html, http://m.7artisans.com/en/h-pd-28-306.html, http://m.7artisans.com/en/h-pd-25-306.html, https://m.dpreview.com/news/4551178280/7artisans-announces-a-new-60mm-macro-lens-for-multiple-mounts.amp, "Arax Photo | Specials | ARAX 2/50mm Tilt & Shift lens", https://www.dpreview.com/news/3707382415/funleader-lenscap-18mm-f8-0-and-an-ultra-light-ultra-wide-body-cap-lens, http://products.entaniya.co.jp/en/products/hal-250200/entaniya-fisheye-hal200/, http://products.entaniya.co.jp/en/products/hal-250200/entaniya-fisheye-hal250/, https://web.archive.org/web/20180725004055/https://www.dzoptics.com/en/35mm-slr-lens, https://lensbaby.com/product/cpii-edge-35-optic/, https://lensbaby.com/product/burnside-35/, https://lensbaby.com/product/composer-pro-ii-with-sweet-35-optic/, https://lensbaby.com/product/composer-pro-ii-with-sweet-50-optic/, https://lensbaby.com/product/composer-pro-ii-with-edge-50-optic/, https://www.meyer-optik-goerlitz.com/en/lens-archive/lydith-30-f3.5-archive, https://www.meyer-optik-goerlitz.com/en/lenses/lydith-30-f3.5-ii, https://www.meyer-optik-goerlitz.com/en/lens-archive/trioplan-35-archive, https://www.meyer-optik-goerlitz.com/en/lens-archive/trioplan-50-f2.9-archive, https://www.meyer-optik-goerlitz.com/en/lenses/trioplan-50-f2.8-ii, https://www.meyer-optik-goerlitz.com/en/lens-archive/primoplan-58-f1.9-archive, https://www.meyer-optik-goerlitz.com/en/lenses/primoplan-58-f1.9-ii, https://www.meyer-optik-goerlitz.com/en/lens-archive/primoplan-75-f1.9-archive, https://www.meyer-optik-goerlitz.com/en/lenses/primoplan-75-f1.9-ii, "Trioplan 100 f2.8 | Lenses | Meyer Optik Goerlitz", https://www.meyer-optik-goerlitz.com/en/lenses/trioplan-100-f2.8-ii, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=242, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=303, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=230, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=234, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=307, https://www.samyanglensglobal.com/en/m/product/product-view.php?seq=315, https://zyoptics.net/product/mitakon-creator-20mm-f-2/, "Mitakon Creator 35mm f/2 | Mitakon - ZY Optics", https://web.archive.org/web/20181005054813/http://www.zyoptics.net/product/mitakon-speedmaster-50mm-f0-95/, "Mitakon Creator 85mm f/2 | Mitakon - ZY Optics", "(Pre-Order@ Deposit $500) Mitakon Speedmaster 135mm f/1.4 - Mitakon - ZY Optics (Shenyang Zhongyi Optics )", "Mitakon Speedmaster 135mm F1.4 lens relaunched with 7 mount options", "MicroPrime CINE 2515E 25mm T1.5 MicroPrime CINE Lens - e Mount - SLR Magic", "MicroPrime CINE 3513E 35mm T1.3 MicroPrime CINE Lens - e Mount - SLR Magic", "MicroPrime CINE 5012E 50mm T1.2 MicroPrime CINE Lens - e Mount - SLR Magic", "MicroPrime CINE 7515E 75mm T1.5 MicroPrime CINE Lens - e Mount - SLR Magic", "CINE 2514E 25mm F1.4 CINE Lens - Sony e / FE Mount (Full Frame) - SLR Magic", "CINE 3512E CINE 35mm f1.2 Lens - Sony e Mount, Full frame - SLR Magic", "CINE 7514FE CINE 75mm f1.4 Lens - Sony e Mount, Full frame - SLR Magic", https://thingyfy.com/shop/product-141/details-151, https://thingyfy.com/shop/product-180/details-183, "Laowa 12mm f/2.8 Zero-D – Laowa Camera Lenses", "Photokina 2016: Hands-on with Laowa 15mm F2 FE and 7.5mm F2 MFT: Digital Photography Review", "Company news - Shenzhen Jueying Technology Co.,LTD", "Zenit announces ridiculously fast 50mm F0.95 fully-manual lens for Sony full-frame cameras", "Zunow SWV-E11-16 Super Wide Angle E-Mount | Wide-Angle | Zunow Japan", https://meikeglobal.com/collections/meike-lens-1/products/meike-6-11mm-f3-5-zoom-manual-focus-wide-angle-lens-for-sony-e-mount-mirrorless-camera-a7iii-a9-nex-3-3n-5-nex-5t-nex-5r-nex-6-7-a6400-a5000-a5100-a6000-a6100-a6300-a6500, "MK-8mm F3.5 Fisheye Lens - Hongkong Meike Digital Technology Co., Ltd", https://meikeglobal.com/products/meike-50mm-f1-2-large-aperture-manual-focus-lens-for-sony-e-mount-fast-delivery, "50mm F/1.7 - Hongkong Meike Digital Technology Co., Ltd", https://meikeglobal.com/collections/meike-lens-1/products/meike-mk-85mm-f1-8-large-aperture-full-frame-manual-focus-lens-standard-medium-portrait-lens-support-electronic-automatic-aperture-exif-information-transmission-for-sony-e-mount-cameras, "Macro Lens - Hongkong Meike Digital Technology Co., Ltd", "Yasuhara announces Anthy 35mm F1.8 lens for Canon RF, Nikon Z and Sony e mount cameras", http://m.7artisans.com/en/h-pd-40-306.html, https://en.wikipedia.org/w/index.php?title=List_of_third-party_E-mount_lenses&oldid=986489677, Creative Commons Attribution-ShareAlike License, 14mm f/1.8 DG HSM | Art (announced 2018–02), 20mm f/1.4 DG HSM | Art (announced 2018–02), 24mm f/1.4 DG HSM | Art (announced 2018–02), 35mm f/1.4 DG HSM | Art (announced 2018–02), 50mm f/1.4 DG HSM | Art (announced 2018–02), 85mm f/1.4 DG HSM | Art (announced 2018–02), 85mm f/1.4 DG DN | Art (announced 2020-08), 135mm f/1.8 DG HSM | Art (announced 2018–02), Viltrox PFU RBMH 85MM F1.8 STM, the autofocus version of the similar full frame manual focus PFU RBMH 85mm f/1.8, 28-75mm f/2.8 Di III RXD (announced 2018–04), 70-180mm f/2.8 Di III VXD (announced 2019-10), 70-300mm f/4.5-6.3 Di III RXD (announced 2020-09), 100-400mm f/5-6.3 DG DN OS | Contemporary, 85mm f/1.8 with aperture motor (no aperture ring), 10mm f/5.6 Hyper-Wide-Heliar (announced 2015–10), 12mm f/5.6 Ultra-Wide-Heliar (announced 2015–10), 15mm f/4.5 Super-Wide-Heliar (announced 2015–10), 35mm f/1.4 Classic Nokton (announced 2017–02), 50mm f/1.2 Nokton asphercial (announced 2019-04), 65mm f/2.0 Macro APO-Lanthar (announced 2017–02), Loxia Biogon T* 2/35mm (announced 2014–09), Loxia Planar T* 2/50mm (announced 2014–09), Loxia Sonnar T* 2.4/85mm (announced 2016–09), HPL-SN pinhole lens, 0.25mm aperture size, 8mm T3.8 VDSLR UMC Fish-eye CS II Cine Lens, 10mm T3.1 VDSLR ED AS NCS CS II Cine Lens, 16mm T2.2 VDSLR ED AS UMC CS II Cine Lens, HyperPrime 23mm F1.7 (Announced for Feb 2013), Nanoha 4x-5x macro lens with built-in LED light ("Nanohax5(E)"), MADOKA180(E) 7.3mm f/4.0 (circular fisheye), 7.5mm f/2.8 ultra-wide angle fisheye lens, Distagon T* Compact Prime CP.2 15 mm/T2.9, Distagon T* Compact Prime CP.2 Super Speed 35 mm/T1.5, Planar T* Compact Prime CP.2 Super Speed 50 mm/T1.5, Planar T* Compact Prime CP.2 Super Speed 85 mm/T1.5, 35mm f/3.5 COMPOSER PRO II WITH EDGE 35 OPTIC, 35mm f/2.5 COMPOSER PRO II WITH SWEET 35 OPTIC, 50mm f/2.5 COMPOSER PRO II WITH SWEET 50 OPTIC, 50mm f/3.2 COMPOSER PRO II WITH EDGE 50 OPTIC, 12mm T3.1 VDSLR ED AS NCS FISH-EYE Cine Lens, 14mm T3.1 VDSLR ED AS IF UMC II Cine Lens, 24mm T1.5 VDSLR ED AS IF UMC II Cine Lens, Mitakon Creator 20mm f/2 macro 4.5x to 4x, Pinhole Pro S 11mm (Pinhole lens) Aperture size 0.14mm, Pinhole Pro S 26mm (Pinhole lens) Aperture size 0.1mm – 0.8mm, Pinhole pro x 18-36mm zoom (Pinhole lens), Super Wide Angle SWV-E11-16 11-16mm f/2.8 Cine Lens, This page was last edited on 1 November 2020, at 05:14. Third Party Lenses Petzval 85mm Lomography Art Lens Samyang-Cine-Lens-Review Voigtlander E-Mount Ultra Wide Sigma 150-600mm F5-6.3 DG Zeiss Batis 2.8/18 Do you love shooting extremely wide? Model examples of a prime lens include the Vario-Tessar compact with telescoping between 16mm-70mm. Weight: 8 oz. There are dozens of options and in this article, I'll be discussing the different options regarding Sony lenses for landscape photography, with a focus on the Sony E-mount full frame system without having to use adapters. This depends on your shooting style. Book your complete trip with the best companies only. If you care about your budget and want to bring your zoom lens on long hikes, this lens might be a good choice for you. Photo by: 'Albert Dros'. The cheaper alternative is the Sigma 14-24mm f/2.8 or Tamron 17-28mm f/2.8. I’m including this lens in this article because it’s one of those lenses that you will just love when you’ve used it. Native e-mount lens and crop. The Best Landscape Photography Lenses for Sony E-Mount Cameras. Landscape Photography in the Lofoten Islands of Norway, The Best Places to Photograph Puffins in Iceland, Ultimate Photography Guide to the Lofoten Islands of Norway, How to Choose Which Version of Lightroom to Buy, Complete Guide to Using Neutral Density Filters, Must Have Filters for Landscape Photography, 5 Key Reasons to Use a Wide Angle Lens in Iceland, What is Aperture? There are dozens of options and in this article, I'll be discussing the different options regarding Sony lenses for, Most of the wide angle lenses in this list are zoom lenses. Zeiss also has a range of Touit lenses: the Distagon T* 12mm f/2.8; Planar T* 32mm f/1.… Now, six years later, it's an entirely different story. Also, these adapters give the ability to use a wide array of third-party lenses. This lens is great to capture an Aurora or Milky Way (but you often have to pano). There are also photographers who prefer primes to zoom lenses in regards to landscape photography. Sunglasses. THIRD-PARTY E-MOUNT APS-C LENSES: Zeiss Touit E-Mount APS-C Lenses. Another nice property of this lens is the ‘sunstar’ that it produces. Therefore, the lenses we can expect from Tokina in 2020 are: An 11-20mm f/2.8 lens for APS-C Canon EF-mount and Nikon F-mount cameras; A 23mm f/1.4 lens for Sony APS-C E-mount cameras and Fujifilm X-mount cameras; A 33mm f/1.4 lens for Sony APS-C E-mount cameras and Fujifilm X-mount cameras What we… I still remember when I was using the first Sony A7 camera. This entry was posted in Nikon Lenses and tagged Meike 50mm f/1.2 lens for Nikon Z-mount, Meyer Optik Görlitz Lydith 30mm f/3.5 II lens for Nikon F-mount, Meyer-Optik Görlitz, third party lenses for Nikon F-mount, third party lenses for Nikon Z-mount. This is the widest Sony zoom lens (if we’re not thinking of third party brands). According to the most recent reports, third party lens maker Sigma is already working on an RF-mount lens roadmap, which they will reveal in “early 2020.” But if you’re on a budget you could also go with the Tamron line up: 17-28 f/2.8, 28-75 f/2.8 and Tamron will probably release a 75-210 later this year (2019). Photo by: 'Albert Dros'. This depends on your shooting style. Sigma’s DG DN lenses are pricier, but its 35mm F1.2 is the fastest E-mount lens available. If you’re on a budget and you’re looking for a good zoom lens to travel, the 70-200 f/4 or 70-300 are good as well. This lens is less than $239 on Amazon.com. Most landscape photographers will tell you that you should invest in a good set of filters if you want to really harness your creativity in-field. The longest e-mount lens is currently the Sony FE 70-300mm F4.5-5.6 G OSS, it costs $1,200 US and has great image quality by all accounts. The Laowa 10-18mm is a very small, wide and well-priced lens. You definitely have to learn how to photograph with extremely wide lenses, but if you like going wide, this lens is the lens for you. If you’re on a budget, then get the Samyang 14mm f/2.8, otherwise get the Laowa 15mm f/2. This lens is not one of the sharpest and is recommended to use on the Sony e-mount bodies that don’t have the highest megapixel count, such as the A7, A7II or A7III. Because of the rather ‘slow’ aperture of f/4, this lens is not that big and is great to fit in your bag. Photo by: 'Albert Dros'. Tamron 70-210mm f/4 Di VC USD. but was strangely silent (barring the Mavica range) when it came to stills. Sony 24-70 GM on the Sony A7RIV. Prime lenses often offer more sharpness. More and more people switch, or are thinking of switching from their traditional DSLR to a mirrorless system, often choosing Sony. Minolta manufactur… And it’s light. If you don’t have a fast wide angle lens and you’re on a budget, this is the lens to get. The prime lens we recommend as a first purchase for E-mount shooters is the Sony E 35mm f/1.8 OSS lens. This lens offers great uses with its limited focal length. 1. Weight, portability, technology and innovation are the most common reasons for people to choose a mirrorless over a traditional DSLR camera. You can also shoot some wide angle portraits with it and very creatively use it for foreground bokeh at its super fast aperture of f/1.4. It’s a good travel lens that offers decent results. But the biggest advantage comes with its price. A distant eagle on the mountain tops in Kyrgyzstan, shot at 400mm with the 100-400 on the Sony A7RIII. As there are currently not many tests out yet and I haven’t used it for more than a few days, it’s hard to currently say how good this lens performs. The puffin is a small bird that belongs to the auk family. It is Sigma’s counterpart to the Sony SEL20F28 pancake and often said to … Rather than recommending the 24-70mm f/4, the Sony 24-105mm G is the better choice here. It features a… Using lens adapters unfortunately results in some auto focus limitations (even with Sigma’s custom-made MC-11 connector, which isn’t as quick to grab focus, when compared to native lenses). Photo by: 'Albert Dros'. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m. Filter … This is the 'King' of wide angle lenses for the Sony e-mount system. The Sony Zeiss (aka 'Zony') was about the only wide angle lens of choice back in the days and it was a great one. But if you can afford it, go for it. SIGMA Interchangeable Lenses for L-Mount. This can be great for capturing a big Aurora storm or the arch of the Milky Way in a single image. I still remember when I was using the first Sony A7 camera. This is one of the oldest wide angle lenses for the Sony E-mount system and is still a good choice. The 24mm is great as an all-rounder focal length and with an aperture of f/1.4, it is extremely versatile. A disadvantage of the 12-24G lens is that you need a big filter system for it. With these lenses, you'll also be set for shooting Milky Way or Aurora photography. As a bonus, you can select one-third click steps or click-free rotation, the latter being ideal for shooting movies. Weight: 4.4 oz. Samyang, for instance, has released 14mm f/2.8, 24mm f/1.4, 24mm f/3.5 tilt-shift, 35mm f/1.4 and 85mm f/1.4 lenses. This lens offers a little bit more range and has great sharpness. Some lenses are impossible to dislike, and this is certainly one of … On higher megapixel cameras like the Sony RIII and RIV, it underperforms compared to the GM lenses. Another interesting wide angle zoom option is the Tamron 17-28 f/2.8. Laowa 15mm f/2 on the Sony A7RIII. If I would have to recommend a telezoom lens, then it would be this one. It’s an all-out portrait lens for the full-frame camera. Wide-angle prime lens designed specifically for use on APS-C-sized image sensors which... Sigma E-Mount APS-C Lenses. It's also so light that you can always put it in your bag. If you like hiking, then it’s obvious that you should get the lightest lens. A wide lens lets you get a strong foreground because of the extreme perspective. It’s sharp but lacks a tiny bit of sharpness in the edges compared to the other lenses on open apertures. This lens is very light and sharp but lacks range on both ends. Tag Archives: third party lenses for Nikon Z-mount ... Tamron 17-70mm f/2.8 Di III-A VC RX D APS-C zoom lens for Sony E-mount; The new Voigtlander SUPER NOKTON 29mm f/0.8 Aspherical lens is now available for pre-order ($1,799) The Viltrox 33mm f/1.4 E and 56mm f/1.4 E lenses will be released on November 25; This is a slightly pricier lens designed for the full-frame Sony E … When searching for the best non-Fuji lenses it’s hard to ignore the Mitakon … But it’s of course a fisheye. Samyang has announced the first 3rd-party lenses for Canon’s new RF full-frame mirrorless camera lens mount. Now, six years later, it's an entirely different story. Photo by: 'Albert Dros'. Photo by: 'Albert Dros'. Photo by: 'Albert Dros'. To work in the mirrorless environment, the E-Mount lens is designed for more compact imaging on par with other 35mm DSLRs. The 100-400 GM is one of the sharpest tele zooms on the market. This depends on your shooting style. SEIN Online. The obvious answer is to shade your eyes from the sun. A good advantage of this lens is its range, price and that it is relatively light. If we’re looking at a complete kit for landscape photography, then we usually need: Optional fast prime lens for Milky Way and Aurora photography. Tamron 28-75 f/2.8 on the Sony A7RIII. Tamron makes an 18-200mm f/3.5-6.3 Di III VC lens that is remarkably similar to the budget Sony 18-200mm optic. Photo by: The Best Sony E-Mount Lenses for Night Photography. People were very sceptical, mainly because there were almost no lenses available for the system. Sony FE 85mm f/1.8. The following lenses have manually actuated apertures but can report the aperture value and focal length for inclusion in Exif data and SteadyShot calculations. A big advantage of this lens is that you can use 100mm filters on it! When people buy a Canon or Nikon camera, they often assume that they can only buy Canon or Nikon lenses. I think it's beautiful, but that’s subjective, of course. With its dramatic and largely untouched Arctic landscape and immensely scenic viewpoints, Lofoten is arguably one of the best locations in the world in regards to photography. There are currently so many brands creating lenses for the Sony E-mount system that it’s hard to keep up. Interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors are added as members of the Art line. 12mm on the Sony A7RIII. 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